Womanhood and Coming of Age in Madeleine L. Engle´s A...

When Madeleine L’Engle first published A Wrinkle in Time in 1962, women’s place in society differed greatly than what L’Engle portrays in her novel. L’Engle broke barriers of the time with her portrayal of women in A Wrinkle in Time. The novel is infused with the themes of womanhood and coming of age. To be more specific, it is a novel which is thoroughly blended with the strengths of womanhood and with the concept that how women in a society can bring forth specific positive changes. The protagonist, Meg Murry, is a gifted adolescent who constantly harps on being different from other children. Her mother, Mrs. Murry, defines empowerment in women. Mrs. Murry is a phenomenal mother, devoted wife, and genius chemist. During the 1960s it was†¦show more content†¦Automatically she pushed her glasses into position, ran her fingers through her mouse-brown hair, so that it stood wildly on end, and let out a sigh almost as noisy as the wind.† (Lâ₠¬â„¢Engle, 10). As the novel continues through Meg’s journey to Camozotz she blossoms into a woman and accepts her individuality. The uniformity of Camozotz shows Meg that being different perhaps is not so bad. Meg comes into her own identity, womanhood, and accepts her uniqueness. An important factor in regards to the character of Mrs. Murry would be her influence on Meg Murry’s evolution into womanhood. Meg is inspired, yet intimidated by her mother’s perfection. At the introduction of Mrs. Murry’s character there is insight into Meg’s perception of her mother, â€Å"Mrs. Murry gently touched Meg’s bruised cheek. Meg looked up at her mother, half in loving admiration, half in sullen resentment† (L’Engle, 12). Although there was a sense of insecurity for Meg at the beginning of the novel, Mrs. Murry was inspiration to ignite the unique woman within Meg. Womanhood is blissful and women can be influencers and initiators, ushering positive changes in the society. It must be noted that the author has hinted on the fact that women are evolving from both the academic and social perspectives and that is the

The Tempest 3 Differences Between the Play and the Movie

3 Differences Between The Play And Movie â€Å"The Tempest† â€Å"The Tempest† is a play written by William Shakespeare in early 1600s that has been previewed in different kinds of movies, such as the one made in 2010, directed by Julie Taymor. It is a play containing themes such as; revenge, allusion, retribution, forgiveness, power, love and hatred. When it is compared to the play, there are specific differences seen in the movie, such as; Prospero is reflected as a woman in the movie. The time differences between the play and the movie and how the spirit Ariel is shown as a white man in the movie. The play starts with the story of Prospero, the Duke of Milan. He gets banished from Italy and was cast to sea by his brother Antonio. He has†¦show more content†¦The role of motherhood in the movie is powerful than the play, which we can see in Act 4, Scene 1 when Prospero approves the love Miranda and Ferdinand declares, however points out a harsh warning to Ferdinand. In the movie, because of the female character, it is easier to make the connection of mother and daughter. By switching the gender in this movie, it lead women characters have a sexual power and empowerment, which was none in the play caused by the pressure made in the Elizabethan Era. Taymor, director of â€Å"The Tempest† adds; â€Å"I didnt really have a male actor that excited me in mind, and yet there had been a couple of phenomenal females—Helen Mirren being one of them—who [made me think]: My God, does this play change? What happens if you make that role into a female role?† (Roger) By casting Prospera, instead of Prospero changed the main themes such as power and sexual empowerment, also the voice of Shakespeare in Prospero, whom he is sometimes occurred as. The second difference between the play and movie â€Å"The Tempest† is the time that it’s written and the time shown in the movie. The play takes place during Shakespeare’s time, the early 1600s. When Shakespeare was writing †Å"The Tempest†, â€Å"people still believed that the sun went round the earth.† (Shakespeare 115-121) England was a Christian country and was educated by the Church’s education and, grammar schools taught Latin. The setting of â€Å"TheShow MoreRelatedJulie Taymore ´s Film Interpretation of The Tempest by William Shakespeare1459 Words   |  6 Pages â€Å"My View of The Tempest† William Shakespeare’s The Tempest, one of Shakespeare’s final plays and debat-ably his final play ever written, focused on man’s gluttonous desire for power. Power manifests itself in â€Å"The Tempest† in many different ways, including the exploration of the power of betrayal, the universal desire for power between men. The power of a mas-ter over his slave, and the power of magic and illusion. 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Of Love Essay Example For Students

Of Love Essay The stage is more beholding to love, than the life of man. For as to the stage, love is ever matter of comedies, and now and then of tragedies; but in life it doth much mischief; sometimes like a siren, sometimes like a fury. You may observe, that amongst all the great and worthy persons whereof the memory remaineth, either ancient or recent there is not one, that hath been transported to the mad degree of love: which shows that great spirits, and great business, do keep out this weak passion. You must except, nevertheless, Marcus Antonius, the half partner of the empire of Rome, and Appius Claudius, the decemvir and lawgiver; whereof the former was indeed a voluptuous man, and inordinate; but the latter was an austere and wise man: and therefore it seems though rarely that love can find entrance, not only into an open heart, but also into a heart well fortified, if watch be not well kept. It is a poor saying of Epicurus, Satis magnum alter alteri theatrum sumus: as if man, made for the contemplation of heaven, and all noble objects, should do nothing but kneel before a little idol and make himself a subject, though not of the mouth as beasts are, yet of the eye; which was given him for higher purposes. It is a strange thing, to note the excess of this passion, and how it braves the nature, and value of things, by this; that the speaking in a perpetual hyperbole, is comely in nothing but in love. Neither is it merely in the phrase; for whereas it hath been well said, that the arch-flatterer, with whom all the petty flatterers have intelligence, is a mans self; certainly the lover is more. For there was never proud man thought so absurdly well of himself, as the lover doth of the person loved; and therefore it was well said, That it is impossible to love and to be wise. Neither doth this weakness appear to others only, and not to the party loved; but to the loved most of all, except the love be reciproque. For it is a true rule, that love is ever rewarded, either with the reciproque, or with an inward and secret contempt. By how much the more, men ought to beware of this passion, which loseth not only other things, but itself! As for the other losses, the poets relation doth well figure them: that he that preferred Helena, quitted the gifts of Juno and Pallas. For whosoever esteemeth too much of amorous affection, quitteth both riches and wisdom. This passion hath his floods, in very times of weakness; which are great prosperity, and great adversity; though this latter hath been less observed: both which times kindle love, and make it more fervent, and therefore show it to be the child of folly. They do best, who if they cannot but admit love, yet make it keep quarters; and sever it wholly from their serious affairs, and actions, of life; for if it check once with business, it troubleth mens fortunes, and maketh men, that they can no ways be true to their own ends. I know not how, but martial men are given to love: I think, it is but as they are given to wine; for perils commonly ask to be paid in pleasures. There is in mans nature, a secret inclination and motion, towards love of others, which if it be not spent upon some one or a few, doth naturally spread itself towards many, and maketh men become humane and charitable; as it is seen sometime in friars. Nuptial love maketh mankind; friendly love perfecteth it; but wanton love corrupteth, and embaseth it.